Remembering moments like this one from May of last year. Amandla and I stopped outside of her fabulous loft apartment in Paris' 11th arrondissement to drink in the evening. I arrived from L.A. for a week, having been charged with ferrying Kumo the cat across the Atlantic. One year later I've just finished watching the result of Amandla's six-month rendezvous with Paris—the eight-part Netflix series, The Eddy. It’s a soul-stirring, cinematic marvel, and a poignant deep-dive into the lives of some riveting characters, including troubled Julie, played by Amandla. She is "scintillating" in the role, possesses an "arresting presence," and delivers a "scene-stealing performance," reviewers say. Plus there's this appreciation by Amy Taupin in Artforum and this gorgeous Emmy magazine cover. I may just have to stream it again.
This painting’s genesis lies in the mystical. I was attending a retreat conducted by the abstract surrealist artist Rassouli, whom I first met in a course he taught at Agape, “Painting with Spirit,” in 2006. My participation in the class itself was the outcome of a long and hard negotiation I had the temerity to make with God.
I felt a strong call (I am being gentle here, it was actually a forceful push) to enroll in an introductory spiritual principles course at Agape. The only thing is, I didn’t want to.
I like to make stuff...and think about stuff.