This morning I happily drove to pick up copies of The New York Times featuring an article about Amandla’s friendship with fellow actor Rowan Blanchard. Ahead of me was a very large man – in height and girth – who purchased half a dozen magazines. “Would you like a bag with that?” asked the newsstand man. “No, thanks,” replied the customer. I placed my five hefty issues of the Sunday Times on the counter and handed him my credit card. He rang up my purchase. Silence. “May I have a bag please?” I asked. “Sure,” he said, reaching for a white plastic bag behind him and placing the papers inside. I immediately launched into my default way of being and interacting in the world, a tactic I think I learned, perhaps unconsciously, from my mother. I engaged him.
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1. Heading out the door to Agape the last Sunday in February aka Black History Month. 2. The inspiration for the jewelry? This Spanish-language film. “Watch!" said Spirit as I channel-surfed two days earlier. I noticed the actress was wearing traditional Mexican earrings and remembered I own a pair. Ah! #godismystyleguru
On Facebook I follow the group "The Golden Age of Illustrations," along with some 148,000 others. The images are lush, gorgeous, brilliant. This one stopped me in my tracks. A naked black woman. And is that Jesus? The post explained that the illustration, by John Farleigh, appears in the 1933 book, The Adventures of the Black Girl in Her Search for God. The author? One Bernard Shaw. As in George the playwright.
It's nearly impossible to find images of black people in this feed. The men, women and children are usually pink and rosy-cheeked. I immediately clicked "Like" when I came across a cartoon by E. Simms Campbell, an African-American artist whose works were the first to appear in popular national publications, including Life magazine in 1931, and created Esquire's wide-eyed mascot, Esky. I wanted to know more. So I did what any other self-respecting arbiter of instantaneous gratification in the 21st century would do. |
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